June 19th, 2009
Brighton Live
Brighton Live announces first tranche of headline acts for this years 2009 Festival (September 30th – October 3rd) More to announced!
Confidently striding into its sixth year, we are thrilled to announce the first installment of headline acts. As well as showcasing Brighton’s hottest emerging talent this year
Brighton Live has teamed up with some already established acts to highlight the diverse nature of Brighton’s music scene.
Brighton Live 2009 will see the city alive with the usual Brighton music shenanigans and much, much more. Last year, Brighton Live 08 saw over 10.000 punters flocking to see over 200 bands playing at nearly 100 free gigs in over 30 venues across the city – which includes My Hotel, Audio, Albert, Providence, Hectors, Bees Mouth, Ali Cats and many more. This year promises to be bigger and better with more bands, more venues and countless intriguing and creative music related seminars- all for free! This event is the perfect antidote to the media bombardment of recessional doom and gloom.
The first headliners to be announced are Grasscut (Ninja Tune), Half Sisters, JFB (2007 Uk DMC Champion and Vestax Champion 2003) Hereldeduke, Restlesslist, and PRJCTMHYM.
First up are the fabulous Grasscut (http://www.myspace.com/grasscutmusic) having recently signed to the infamous Ninja Tune label they are due to drop an album on Oct 5h/ debut single “High Down” will be out on late July. Grasscut made their live debut at the Loop Festival (Fourtet, Caribou, Holy Fuck) in August 2008, each armed with a laptop and keyboard, They have since played audiovisual shows at Tate Britain and The Great Escape festival, as well as supporting Nathan Fake, Fujiya & Miyagi, Wildbirds & Peacedrums, BLK JKS, Robert Logan, and Valgeir Sigurdsson. With summer bookings at this years Big Chill and Bloom festival - they are definelty a band to look out for – but don’t just take our word for it. Here is what a couple of the bands fans have to say -
“a celebration of England at its naffest & most beautiful… I like it a lot!” - Steve Lamacq BBC 6music
“Brave, fresh, adventurous music” - Tom Robinson BBC 6music
Next up we have Brighton fave JFB (www.myspace.com/jfbdj) who will be proving once more that what he can’t do with 2 decks and a mixer is really not worth knowing. The 2007 DMC Champion and one of Brighton’s best Dj’s will be bringing his unique taste on Hip Hop, Drum and Bass, Dubstep and Breakbeat to a venue for free! Near you.
Hereldeduke (http://www.myspace.com/hereldeduke)
Are a band that take the party atmosphere wherever they play. With accolades such as Record Of The Week on Radio 2’s Radcliffe and Maconie and radio plays from Huw Stephens (Radio 1), Nemone, Stephen merchant and Shaun Keaveny (6 Music) and XFM. They are a band that thrive on live performances be it at a festival near you or one of Brighton’s top live venues.
PRJCT MYHM (www.myspace.com/12sections) have been making noise on the local music scene for a year now. Their unbeatable blend of Dubstep, hip hop with west coast hip hop vocals have speakers rattling and crowds jumping. If you were at this years Brighton Live “Welcome To Brighton Party” at The Great Escape you will know what we mean! www.myspace.com/12sections
Restlesslist (www.myspace.com/restlesslist) are back with the bizarre and often indescribable blend of synth, surf, samples, beats, horns, prog guitars and more! The Brighton group will be performing material from their new album “Coral Island Girl” which is currently under construction. The bands last album “The Rise And Fall Of The Curtain Club” received rave reviews and airplay from the likes of Huw Stephens, Colin Murray, Steve Lamacq, Nemone and Mark Riley. They are also a bit of a Brighton super group featuring members of Electric Soft Parade, Brakes and Foxes!
Half Sisters (www.myspace.com/thehalfsistersuk) are a band that fuses ukulele, flute, jazz drums and beautiful vocal harmonies that breathe fresh air in a world where computer puke and synth rock dominate the charts. Catch them at this year’s Secret Garden Party festival and Beachdown.
Brighton Live is where you’ll find all the key Brighton bands, promoters, labels & music industry professionals working together to continue Brighton’s reputation as one of the most eclectic and ever-thriving music scenes in the UK. More headliners to be announced!!!!
www.brightonlive.net www.myspace.com/brightonlivefestival
supported by SEEDA, ACE SE and B&HCC as part of the Festival Clusters initiative: Festivals in Brighton
excess
This article was provided by Jack Thunder from Excess Press
Monday, 29 June 2009
Wave Machines
This review was taken from www.newbeats4u.com
Wave Machines
Neapolitan Records
Releasing their critically acclaimed debut album this month ‘Wave if your really there’, Wave Machines are the latest four piece group ready to cause a storm on the music scene. Placed firmly in the ‘alternative’ category of music style, wave machines are best described as electro/arty Indie pop with many critics likening them to the current resurgence of 80’s styling’s artists such as La Roux and Hot Chip.
‘Wave if your really there’ is an excellent debut album with great musical range that suggests promising future material from these Merseyside guys. A few standout singles from the album include the album title single ‘wave if your really there’ a brilliant slow track with Bowie-esque vocals from singer Tim Bruzon, great ballad ‘punk spirit’ and the perfect single ‘I Go I Go I Go’. This is a club tune made specifically to get you dancing and watching the recently released video for ‘I Go I Go I Go’ gives insight into the slightly strange minds of these musical scenesters; avant-garde black white and neon hand-dancing-confused? It must be watched and will be appreciated.
You can catch Wave Machines playing events small and large all over the country this year including festivals like the great Glastonbury (dirty boots stage) and the slightly under appreciated but never dull Bestival, or simply at bars and venues like the London Hoxton bar and Grill in September. Check out their myspace page for full listings and to hear songs from their esteemed debut album.
Written by
Hannah Johnson
Wave Machines
Neapolitan Records
Releasing their critically acclaimed debut album this month ‘Wave if your really there’, Wave Machines are the latest four piece group ready to cause a storm on the music scene. Placed firmly in the ‘alternative’ category of music style, wave machines are best described as electro/arty Indie pop with many critics likening them to the current resurgence of 80’s styling’s artists such as La Roux and Hot Chip.
‘Wave if your really there’ is an excellent debut album with great musical range that suggests promising future material from these Merseyside guys. A few standout singles from the album include the album title single ‘wave if your really there’ a brilliant slow track with Bowie-esque vocals from singer Tim Bruzon, great ballad ‘punk spirit’ and the perfect single ‘I Go I Go I Go’. This is a club tune made specifically to get you dancing and watching the recently released video for ‘I Go I Go I Go’ gives insight into the slightly strange minds of these musical scenesters; avant-garde black white and neon hand-dancing-confused? It must be watched and will be appreciated.
You can catch Wave Machines playing events small and large all over the country this year including festivals like the great Glastonbury (dirty boots stage) and the slightly under appreciated but never dull Bestival, or simply at bars and venues like the London Hoxton bar and Grill in September. Check out their myspace page for full listings and to hear songs from their esteemed debut album.
Written by
Hannah Johnson
Raygun
This article was written for www.newbeats4u.com by Ezekiel Ojo
Wow. If this show is anything to go by, call the Chinese because this may just be Year of the RayGun. If you haven’t heard of them yet, surely it won’t be long until you do. The four boys from London have energy, passion and it seems the right amount of charisma (and tight fitting trousers) to take them right to the top. Ray Gun are not just your usual electro/pop band, these guys have substance, and I don’t mean in the Ms Winehouse sense of the word. Their magic lies in an innate ability to construct catchy melodic lines and instrumental hooks, and an energetic performance, keeping the audience captivated from start to finish.
Listening to their synthesised infused set, you can hear influences from some of the great Pop, Rock and Electro bands. Head shaker ‘In the City’ wouldn’t be out of place on a Blondie album. Anthem ‘See You Later’ is a fantastic rock song, reminiscent of The Rolling Stones and for pure entertainment and showmanship, look no further than The Scissor Sisters for a comparative act.
Front man, the aptly named Ray Gun, is a breath of fresh air. Authentic, charismatic and good looking (makes you wanna puke, doesn’t it?) This guy is what he is and the vocal ability to boot. There are obvious comparisons in vocal style to David Bowie, no more evident than in their song ‘Waiting in Line’ but if you think this is just a modern day copy of a rock legend, then STOP. Think again. This guy has been cut from the very same mould. He is a talented singer with bags of ability and from the reaction of the women in the crowd, and a few men it must be said, he is destined to be a popular front man. He humped his way through this gig. The mic stand, the floor, the bass drum, even Adj, RayGun songwriter and lead guitarist was taken in his hump fest. The crowd loved every minute of it.
RayGun have every tool they need to make an impact. This was no average show, they were tight, and their set was constructed to get people moving. There were the crazy chicks at the front of stage manically waving their arms. Even the ‘too cool for school’ crew, who didn’t really want to show that they were having a good time found themselves under the RayGun influence, their feet tapping like uncontrollable metronome’s. Everyone felt the energy. There was something magical happening on stage and as I sipped on my beer, watching RayGun do their thing, I couldn’t help thinking: ‘Heineken don’t do electro/pop bands but if they did..?’
Written by Ezekiel Ojo
Wow. If this show is anything to go by, call the Chinese because this may just be Year of the RayGun. If you haven’t heard of them yet, surely it won’t be long until you do. The four boys from London have energy, passion and it seems the right amount of charisma (and tight fitting trousers) to take them right to the top. Ray Gun are not just your usual electro/pop band, these guys have substance, and I don’t mean in the Ms Winehouse sense of the word. Their magic lies in an innate ability to construct catchy melodic lines and instrumental hooks, and an energetic performance, keeping the audience captivated from start to finish.
Listening to their synthesised infused set, you can hear influences from some of the great Pop, Rock and Electro bands. Head shaker ‘In the City’ wouldn’t be out of place on a Blondie album. Anthem ‘See You Later’ is a fantastic rock song, reminiscent of The Rolling Stones and for pure entertainment and showmanship, look no further than The Scissor Sisters for a comparative act.
Front man, the aptly named Ray Gun, is a breath of fresh air. Authentic, charismatic and good looking (makes you wanna puke, doesn’t it?) This guy is what he is and the vocal ability to boot. There are obvious comparisons in vocal style to David Bowie, no more evident than in their song ‘Waiting in Line’ but if you think this is just a modern day copy of a rock legend, then STOP. Think again. This guy has been cut from the very same mould. He is a talented singer with bags of ability and from the reaction of the women in the crowd, and a few men it must be said, he is destined to be a popular front man. He humped his way through this gig. The mic stand, the floor, the bass drum, even Adj, RayGun songwriter and lead guitarist was taken in his hump fest. The crowd loved every minute of it.
RayGun have every tool they need to make an impact. This was no average show, they were tight, and their set was constructed to get people moving. There were the crazy chicks at the front of stage manically waving their arms. Even the ‘too cool for school’ crew, who didn’t really want to show that they were having a good time found themselves under the RayGun influence, their feet tapping like uncontrollable metronome’s. Everyone felt the energy. There was something magical happening on stage and as I sipped on my beer, watching RayGun do their thing, I couldn’t help thinking: ‘Heineken don’t do electro/pop bands but if they did..?’
Written by Ezekiel Ojo
Monday, 15 June 2009
Shinobi Ninja - Written by Christopher Davies
This album review is taken from www.newbeats4u.com
They describe themselves as Hip hop/ Death Metal.
Brooklyn to Babylon - I can the hip hop theme here with a bit of a rocky twist, wouldn't say death metal though. I do like this tune, its upbeat and quite chilled out, i can imagine cruising down the 'highway' with my roof down with this tune blaring out.
Rock Hood
As its name suggests is a bit more rocky, It had nice guitars in the song. Not sure about the crazy effect on the person's singing but due to the fact that the guitars are really good I like it.
Stop
Started to get shouty and im afraid i don't like that so you might need to listen yourself to this one. Again good guitars obviously gifted in that area. Probably a song that would end the album
Jump to this
Again guitar saves this song
Back in the Daze
Quite like this tune, especially the iron maiden mention in the lyrics.. The guitars sound like rage against machine and make this song really good.
The Rain
Again sounds a bit like Rage which is always a good thing
Black Dreams
sounds Like aerosmith to me. I like this tune. Lyrics are good and the tune gets your head bopping for sure.
All in all a nice selection of tunes its just a shame some of its not really my cup of tea, So i suggest someone else review the the heavier tunes give them a true reflection to their genre.
Brooklyn to babylon -9
rock hood -7
Stop -5
Jump to This - 6
Back in the Daze -8
The Rain - 7
Black Dreams -8
written by Christopher Davies
They describe themselves as Hip hop/ Death Metal.
Brooklyn to Babylon - I can the hip hop theme here with a bit of a rocky twist, wouldn't say death metal though. I do like this tune, its upbeat and quite chilled out, i can imagine cruising down the 'highway' with my roof down with this tune blaring out.
Rock Hood
As its name suggests is a bit more rocky, It had nice guitars in the song. Not sure about the crazy effect on the person's singing but due to the fact that the guitars are really good I like it.
Stop
Started to get shouty and im afraid i don't like that so you might need to listen yourself to this one. Again good guitars obviously gifted in that area. Probably a song that would end the album
Jump to this
Again guitar saves this song
Back in the Daze
Quite like this tune, especially the iron maiden mention in the lyrics.. The guitars sound like rage against machine and make this song really good.
The Rain
Again sounds a bit like Rage which is always a good thing
Black Dreams
sounds Like aerosmith to me. I like this tune. Lyrics are good and the tune gets your head bopping for sure.
All in all a nice selection of tunes its just a shame some of its not really my cup of tea, So i suggest someone else review the the heavier tunes give them a true reflection to their genre.
Brooklyn to babylon -9
rock hood -7
Stop -5
Jump to This - 6
Back in the Daze -8
The Rain - 7
Black Dreams -8
written by Christopher Davies
Sunday, 14 June 2009
Oasis, Heaton Park, Manchester written by Rebecca Ryder
This is a gig review taken from www.newbeats4u.com
Saturday 6th June 2009
When significant musicians announce plans to perform in their home cities, the rumblings of ‘homecoming concert’ excitement immediately start up among their fans. When the announcement is made by Oasis, the anticipation descends not only upon those lucky enough to acquire tickets, but anyone who hears the news. The general consensus is that an Oasis homecoming gig is sure to be one of those events that will forever be inscribed on history’s musical calendar. It just seems that when the Manchester veterans of Britpop return to play in said city, they genuinely feel that they are home, sweet home. This shared feeling of joy between band and fan is what inspired the electric atmosphere at Saturday’s Heaton Park performance.
The 70,000-strong crowd, some decked out in wellies and macs; others not so fortunate, were undeterred by the sopping mud and ongoing threat of more torrential rain. Nothing could have dampened the fact that this was Oasis’s biggest gig since Knebworth thirteen years ago. (Nothing, that is, except for maybe a repeat performance of the chaos at Thursday’s opening show, when ‘technical difficulties’ caused the band to exit the stage twice before being forced to offer refunds to the irate gatherers-but that was an unlikely prospect in the minds of this fresh gathering of expectant supporters.) Everyone had already had more than their money’s worth with stellar performances from support acts Free Peace, Twisted Wheel, The Enemy and Kasabian, but the energy on-site wasn’t about to wane just yet.
Despite earlier downpours the afternoon had miraculously managed to stave off further drenchings, and by the time Oasis arrived on-stage at 8.45 to a roaring version of ‘Rock and Roll Star’, the adrenaline was at an all-time peak. The ground had been newly divided with barriers and security staff to minimize any moshpit-style crushings during the main act; though the majority of the songs still brought near-death for the more vertically-challenged. The more recent hit ‘Lyla’ followed up the opening track and, via another mass singsong, proved its credentials as a classic that stands up among the best of them. The even more recent ‘I’m Outta Time’ later brought a stunning performance from Liam, and showed that when he bothers to swagger onto the stage to take the limelight, he can still deliver beautifully. His other self-penned gem ‘Songbird’ equally displayed the lairy frontman’s softer side. Noel provided some outstanding solo pieces himself, with ‘The Masterplan’ and ‘Half the World Away’ returning comparable awe as he took to his chair centre-stage.
The sweetness of those more tender tracks was as usual interspersed with the energy of the more vigorous anthems. ‘Roll With It’, ‘Cigarettes and Alcohol’, ‘Live Forever’ and ‘Supersonic’ saw the jubilance and inevitable thrashing around which has come to be expected of these celebrated masterworks. The sound seemed slightly indistinct on a couple of occasions; the throng of would-be Noels became a little confused over the words to ‘The Importance of Being Idle’ when the audio grew suddenly vague. There were also frequent warnings to wear hoods over heads due to certain audience members apparently urinating into cups then flinging them. These were only slight blemishes though which did nothing to tarnish proceedings, and the euphoric mass of spectators could not have been happier as the foursome returned for the encore.
'Don't Look Back In Anger' marked their return, and Noel served up another rousing performance which prompted misty eyes from even the most sweaty and lager-soaked gentlemen. 'Falling Down' and 'Champagne Supernova' followed, as the melancholy of the night’s approaching end began to pervade all. Finally, the now-familiar show finale of The Beatles’ 'I Am The Walrus' ensured that the assembly of admirers were reluctantly ushered from the park on a high, with an almost complete feeling of satisfaction. It was permeated only by the deep longing for the boys not to leave it so long to make history again.
written by Rebecca Ryder
Saturday 6th June 2009
When significant musicians announce plans to perform in their home cities, the rumblings of ‘homecoming concert’ excitement immediately start up among their fans. When the announcement is made by Oasis, the anticipation descends not only upon those lucky enough to acquire tickets, but anyone who hears the news. The general consensus is that an Oasis homecoming gig is sure to be one of those events that will forever be inscribed on history’s musical calendar. It just seems that when the Manchester veterans of Britpop return to play in said city, they genuinely feel that they are home, sweet home. This shared feeling of joy between band and fan is what inspired the electric atmosphere at Saturday’s Heaton Park performance.
The 70,000-strong crowd, some decked out in wellies and macs; others not so fortunate, were undeterred by the sopping mud and ongoing threat of more torrential rain. Nothing could have dampened the fact that this was Oasis’s biggest gig since Knebworth thirteen years ago. (Nothing, that is, except for maybe a repeat performance of the chaos at Thursday’s opening show, when ‘technical difficulties’ caused the band to exit the stage twice before being forced to offer refunds to the irate gatherers-but that was an unlikely prospect in the minds of this fresh gathering of expectant supporters.) Everyone had already had more than their money’s worth with stellar performances from support acts Free Peace, Twisted Wheel, The Enemy and Kasabian, but the energy on-site wasn’t about to wane just yet.
Despite earlier downpours the afternoon had miraculously managed to stave off further drenchings, and by the time Oasis arrived on-stage at 8.45 to a roaring version of ‘Rock and Roll Star’, the adrenaline was at an all-time peak. The ground had been newly divided with barriers and security staff to minimize any moshpit-style crushings during the main act; though the majority of the songs still brought near-death for the more vertically-challenged. The more recent hit ‘Lyla’ followed up the opening track and, via another mass singsong, proved its credentials as a classic that stands up among the best of them. The even more recent ‘I’m Outta Time’ later brought a stunning performance from Liam, and showed that when he bothers to swagger onto the stage to take the limelight, he can still deliver beautifully. His other self-penned gem ‘Songbird’ equally displayed the lairy frontman’s softer side. Noel provided some outstanding solo pieces himself, with ‘The Masterplan’ and ‘Half the World Away’ returning comparable awe as he took to his chair centre-stage.
The sweetness of those more tender tracks was as usual interspersed with the energy of the more vigorous anthems. ‘Roll With It’, ‘Cigarettes and Alcohol’, ‘Live Forever’ and ‘Supersonic’ saw the jubilance and inevitable thrashing around which has come to be expected of these celebrated masterworks. The sound seemed slightly indistinct on a couple of occasions; the throng of would-be Noels became a little confused over the words to ‘The Importance of Being Idle’ when the audio grew suddenly vague. There were also frequent warnings to wear hoods over heads due to certain audience members apparently urinating into cups then flinging them. These were only slight blemishes though which did nothing to tarnish proceedings, and the euphoric mass of spectators could not have been happier as the foursome returned for the encore.
'Don't Look Back In Anger' marked their return, and Noel served up another rousing performance which prompted misty eyes from even the most sweaty and lager-soaked gentlemen. 'Falling Down' and 'Champagne Supernova' followed, as the melancholy of the night’s approaching end began to pervade all. Finally, the now-familiar show finale of The Beatles’ 'I Am The Walrus' ensured that the assembly of admirers were reluctantly ushered from the park on a high, with an almost complete feeling of satisfaction. It was permeated only by the deep longing for the boys not to leave it so long to make history again.
written by Rebecca Ryder
Thursday, 11 June 2009
An Interview With A Madman
The following interview was carried out by Alex Marx for www.newbeats4u.com
An Interview With A Madman
It's another blistering day in south Manchester and I've manage to track down the organizers of Mad Ferret Festival which is due to commence this Friday. Well I say tracked down, but in reality they were very accommodating and after a couple of phone calls we decided to meet in Trof cafe on the Monday. In front of me is Mat Atkinson the [Deputy Events Coordinator] .A veteran of the festival circuit Mat joined the festival after coming down last year. Unsurprisingly the head honcho Ben is unavailable five days before the festival kicks off. Which I must say is quite reassuring given the number of other 'student festivals' which desperately lack the organization they're due. Quick coffee, a cigarette and we're off...
"Compared to last year how have you as a team dealt with the challenges of a much bigger festival?"
Mat "Everyone's been really nice, the Parks Authority and Police have been really helpful...Obviously we've got seven or so tents this year which it a lot bigger than last year, there's a lot more walk around entertainment which obviously requires a load more organization...Logistically it's an awful lot harder, last year we had a few problems with people jumping the fence so we've had to come up with different systems...the main problem's really just been overcoming the challenges of catering for this many people..."
"Who do you recon is gonna be the act's to see? The hot tip?"
Mat "I'm looking forward to seeing Roots Maneuver, DJ Zink and Claude Van Stroke..not sure how much time I'm gonna get to see them but I'll definately try and get some time off for them"
"Finley Quaye? (I had to ask how they managed that, the guy is an absolute legend)"
Mat "Tom Gardener our programing manager sorted that one out, it's a massive booking, everyone loves Finley Quaye...Definitely looking forward to seeing him"
Do you recon that the fact it's a 'student festival' has a real appeal to the community and really helped you guys get to where you are today?
Mat "Definitely, it's all about getting as many people from the universities involved as possible, the guys that are running it now have finished university but obviously still have those connections and that sense of community. Getting people involved and pushing them forward with their own careers...the universities have been brilliant as well. The key is helping out other students..."
"Are you looking to grow further into a major festival on the circuit?"
Mat "It's really all about keeping it local, maintaining that intimate feeling..We might in the future look to starting another festival and keeping this one going but we'll have to wait and see..."
I'm delighted to say this seems to all intensive purposes to be a festival of the students, for the students by the students... yet thoroughly professional. If you want to know where I'll be this weekend, I'll be at Platt Fields, Manchester for Mad Ferret. Don't miss out!
If you would like to know more about the festival visit www.madferretfestival.com
Reported by Alex Marx
An Interview With A Madman
It's another blistering day in south Manchester and I've manage to track down the organizers of Mad Ferret Festival which is due to commence this Friday. Well I say tracked down, but in reality they were very accommodating and after a couple of phone calls we decided to meet in Trof cafe on the Monday. In front of me is Mat Atkinson the [Deputy Events Coordinator] .A veteran of the festival circuit Mat joined the festival after coming down last year. Unsurprisingly the head honcho Ben is unavailable five days before the festival kicks off. Which I must say is quite reassuring given the number of other 'student festivals' which desperately lack the organization they're due. Quick coffee, a cigarette and we're off...
"Compared to last year how have you as a team dealt with the challenges of a much bigger festival?"
Mat "Everyone's been really nice, the Parks Authority and Police have been really helpful...Obviously we've got seven or so tents this year which it a lot bigger than last year, there's a lot more walk around entertainment which obviously requires a load more organization...Logistically it's an awful lot harder, last year we had a few problems with people jumping the fence so we've had to come up with different systems...the main problem's really just been overcoming the challenges of catering for this many people..."
"Who do you recon is gonna be the act's to see? The hot tip?"
Mat "I'm looking forward to seeing Roots Maneuver, DJ Zink and Claude Van Stroke..not sure how much time I'm gonna get to see them but I'll definately try and get some time off for them"
"Finley Quaye? (I had to ask how they managed that, the guy is an absolute legend)"
Mat "Tom Gardener our programing manager sorted that one out, it's a massive booking, everyone loves Finley Quaye...Definitely looking forward to seeing him"
Do you recon that the fact it's a 'student festival' has a real appeal to the community and really helped you guys get to where you are today?
Mat "Definitely, it's all about getting as many people from the universities involved as possible, the guys that are running it now have finished university but obviously still have those connections and that sense of community. Getting people involved and pushing them forward with their own careers...the universities have been brilliant as well. The key is helping out other students..."
"Are you looking to grow further into a major festival on the circuit?"
Mat "It's really all about keeping it local, maintaining that intimate feeling..We might in the future look to starting another festival and keeping this one going but we'll have to wait and see..."
I'm delighted to say this seems to all intensive purposes to be a festival of the students, for the students by the students... yet thoroughly professional. If you want to know where I'll be this weekend, I'll be at Platt Fields, Manchester for Mad Ferret. Don't miss out!
If you would like to know more about the festival visit www.madferretfestival.com
Reported by Alex Marx
Wednesday, 10 June 2009
The Extroverts - written by Christopher Davies
This is an album review taken from www.newbeats4u.com
Only a few songs that I have listened to and on the whole not a bad band. I have been listening to them for about half an hour and im not bored of them yet so thats a good sign. Obviously have talent, especially in the lead guitar and there are some special bits of guitars present in the songs.
She's a victim - my favourite track by far. Great intro.. gets your feet tapping from the start. It is catchy and has an Artic Monkey feel at the start but that changes once you hear the vocals as he has a very diffierent style.It however does remind me of a famous song but i cant but my finger on it. i like it when it slows down in the middle and then builds up to a big finish. Very effective and id recommend this song if you are into your indie music.
You're just a fool - Not really my cup of tea im afraid, im not too sure about the echohy vocals dont think the vocals compliement the rhthym of the music. But id say it was OK tune. Towards the end is a good drum solo and I like the end of the song a strong finish to the song
Impress yourself- A nice tune, relaxing one for a sunday afternoon id say. Not as big hitting as She's a victim but a nice mix of guitar and vocals that compliement each other very well. Reminds me of pearl jam - even flow for some reason, i think it is just the guitar in the chorus that creates that image for me.
She's A victim -8
You're just a fool - 6
Impress Yourself -7
Definately worth a listen and its always good to support the local bands.
Written by Christopher Davies
Only a few songs that I have listened to and on the whole not a bad band. I have been listening to them for about half an hour and im not bored of them yet so thats a good sign. Obviously have talent, especially in the lead guitar and there are some special bits of guitars present in the songs.
She's a victim - my favourite track by far. Great intro.. gets your feet tapping from the start. It is catchy and has an Artic Monkey feel at the start but that changes once you hear the vocals as he has a very diffierent style.It however does remind me of a famous song but i cant but my finger on it. i like it when it slows down in the middle and then builds up to a big finish. Very effective and id recommend this song if you are into your indie music.
You're just a fool - Not really my cup of tea im afraid, im not too sure about the echohy vocals dont think the vocals compliement the rhthym of the music. But id say it was OK tune. Towards the end is a good drum solo and I like the end of the song a strong finish to the song
Impress yourself- A nice tune, relaxing one for a sunday afternoon id say. Not as big hitting as She's a victim but a nice mix of guitar and vocals that compliement each other very well. Reminds me of pearl jam - even flow for some reason, i think it is just the guitar in the chorus that creates that image for me.
She's A victim -8
You're just a fool - 6
Impress Yourself -7
Definately worth a listen and its always good to support the local bands.
Written by Christopher Davies
Tuesday, 9 June 2009
Chickenfoot - written by Jonathan Walton
This is an album review taken from www.newbeats4u.com
This came out Monday - i'm loving it.
2 parts Van Halen, 1 part Chili Peppers and Joe Satriani.
The last name on that line up demands you to at least give it a listen.
"Chickenfoot" will probably go down in the history books as the silliest name for a rock band. If this eponymous debut album is anything to go by, this could be the undisputed rock supergroup collaboration of 2009.
What happens when you take one of the top five ranked electric guitarists on the planet (Joe Satriani), put him in a room with one of the best rock bass guitarists (ex-Van Halen 'Michael Anthony'), partner him up with the second lead vocalist of Van Halen (Sammy Hagar), and the Red Hot Chili Peppers' drummer, Chad Smith?
It's a no brainer; you get one of the hottest rock'n'roll albums of the year.
What really works on this album is the rawness of the production and the amazing mix of guitars, vocals and drums, performed by some of the best players at the top of their game. With the production helmed by Andy Johns (Rolling Stones, Led Zeppelin), the songs put a bolt of lightening down your spine and kick thunder to the max.
Stand out tracks like "Soap on a Rope", "My Kinda Girl" and "Oh Yeah"
illustrate we're in the company of musicians who are taking no prisoners.
It's refreshing to see Satriani taking a break from his instrumental guitar solo work for a "band collaboration" led by one of the greatest rock singers of all time (Hagar).
Rock enthusiasts, who are into AC DC, Bad Company, Van Halen, Chili Peppers, Joe Satriani, vintage Deep Purple, Led Zeppelin, and GNR, will see this album as the next best thing to Jesus Christ sporting shades, smoking a cigarette and holding a guitar.
This could be the best album Van Hagar never made.
Written by Jonathan Walton
This came out Monday - i'm loving it.
2 parts Van Halen, 1 part Chili Peppers and Joe Satriani.
The last name on that line up demands you to at least give it a listen.
"Chickenfoot" will probably go down in the history books as the silliest name for a rock band. If this eponymous debut album is anything to go by, this could be the undisputed rock supergroup collaboration of 2009.
What happens when you take one of the top five ranked electric guitarists on the planet (Joe Satriani), put him in a room with one of the best rock bass guitarists (ex-Van Halen 'Michael Anthony'), partner him up with the second lead vocalist of Van Halen (Sammy Hagar), and the Red Hot Chili Peppers' drummer, Chad Smith?
It's a no brainer; you get one of the hottest rock'n'roll albums of the year.
What really works on this album is the rawness of the production and the amazing mix of guitars, vocals and drums, performed by some of the best players at the top of their game. With the production helmed by Andy Johns (Rolling Stones, Led Zeppelin), the songs put a bolt of lightening down your spine and kick thunder to the max.
Stand out tracks like "Soap on a Rope", "My Kinda Girl" and "Oh Yeah"
illustrate we're in the company of musicians who are taking no prisoners.
It's refreshing to see Satriani taking a break from his instrumental guitar solo work for a "band collaboration" led by one of the greatest rock singers of all time (Hagar).
Rock enthusiasts, who are into AC DC, Bad Company, Van Halen, Chili Peppers, Joe Satriani, vintage Deep Purple, Led Zeppelin, and GNR, will see this album as the next best thing to Jesus Christ sporting shades, smoking a cigarette and holding a guitar.
This could be the best album Van Hagar never made.
Written by Jonathan Walton
Monday, 8 June 2009
For Folks Sake at CUP (05/06)
This article is taken from www.newbeats4u.com and was written by Alex Marx
The evening began with the emergence onto the stage of Olly Jenkins. Looking a bit like James Blunts black sheep brother I had my suspicions, though from the off it was clear we were dealing with something wholly different, The same passion in his performance but with a charisma and grit which belies his more famous look alike. This was followed up by the poetry of Tony Walsh which was a bold, chilling and evocative critique of the modern world. He spoke of the great travesties with both presence and character, met by raucous applause from a crowd clearly move by his words. Tina MvKevitt and Mat Hegarty were very comfortable and well versed performers with a traditional folk styling. Tina's voice being every bit authentic folk with a range and tone as engaging as it was provocative. Connor A's poetry followed.It was was more gentle than Walsh's and perhaps it was his Irish tones but had a harrowing softness and lingered in the mind long after the gig. Finally there was Tom Kitching and Gren Bartley who were both fantastic musicians, interspersing the likes of a traditional Norwegian hat dance with covers of old 50'c blues songs and even a French bourrée. As well as there own contemporary folk pieces which were probably equally intricate and fantastic, 'Grateful for Home' being the highlight. All in all it was a fantastic evening, helped undoubtedly by the venue. Cup served as the perfect location for a folk gathering, serving only tea and cake with garden furniture strewn around the interior. It was a brilliant gig at an ingenious venue.
written by Alex Marx
The evening began with the emergence onto the stage of Olly Jenkins. Looking a bit like James Blunts black sheep brother I had my suspicions, though from the off it was clear we were dealing with something wholly different, The same passion in his performance but with a charisma and grit which belies his more famous look alike. This was followed up by the poetry of Tony Walsh which was a bold, chilling and evocative critique of the modern world. He spoke of the great travesties with both presence and character, met by raucous applause from a crowd clearly move by his words. Tina MvKevitt and Mat Hegarty were very comfortable and well versed performers with a traditional folk styling. Tina's voice being every bit authentic folk with a range and tone as engaging as it was provocative. Connor A's poetry followed.It was was more gentle than Walsh's and perhaps it was his Irish tones but had a harrowing softness and lingered in the mind long after the gig. Finally there was Tom Kitching and Gren Bartley who were both fantastic musicians, interspersing the likes of a traditional Norwegian hat dance with covers of old 50'c blues songs and even a French bourrée. As well as there own contemporary folk pieces which were probably equally intricate and fantastic, 'Grateful for Home' being the highlight. All in all it was a fantastic evening, helped undoubtedly by the venue. Cup served as the perfect location for a folk gathering, serving only tea and cake with garden furniture strewn around the interior. It was a brilliant gig at an ingenious venue.
written by Alex Marx
Friday, 5 June 2009
The Fatigue - written by Chris Davies
The following review has been taken from www.newbeats4u.com
The Fatigue have been a great find. Unfortunately they have not got an album so this will not be a proper review. Ill start by introducing you to the band..
As far as I know they consist of four members Steve, Lee, Chris and Jack. They are from various places Brighton and the South East, But I think they currently call Brighton there Home.
This is how they describe themselves We are a four piece, Brighton based, indie-rock outfit influenced by a wide range of artists including Incubus, The Libertines and Jimi Hendrix.
Right down to Business..
Another Night at Ed's - I hope this does not offend them but this track sounds in the ilk of Arctic Monkeys. But i would argue that there is more than just a few chords in the guitar work. I find alot of Indie bands have great muscian's but are let down by poor vocals. Thankfully The Fatigue have both good muscians and Vocals. Its a strong song and of much quality that some of these more established produce.
All eyes on the prize - A bit more of ballad I would say and the theme of good muscians and vocals continue thankfully. Again I would say that this song would not be out of place on the radio at all and again could be a hit. A nice song which performs on every level, The lyrics are very good and meaningful and Im sure alot of people can relate to the song, The line 'there is no song that I could sing, a poem a bunch of flowers to prove your worth to me' Im sure many lads would pull that line out when they are wanting to go and watch the footy. All in all a very strong song lyrically very good.
Trouble At Mill - More upbeat gets your head nodding around and feet tapping. Strong guitars with good riffs that give the song its base. Im glad to say that the vocals still hold up to my high standards and this is a type of song that gets stuck in your head and singing along especially the chorus of ' I call her Trouble Trouble' Another good song not my favourite but still good.
The Grass isn't Always Greener - I like the start to this song but unfortunately it cuts off after about 1minute 30.I think the song address's the problem of money grabbing girls and how the better man loses out to the richer man and how you need to address that issue as 'the better man'. This song was for Juice FM and shows that they are truley gifted muscians and the lead singer has a really voice that suits the style of music and Im confidient if given the chance this will get alot of air play. The Fatigue are a great find.
What Mumma Says - Another recording from Juice FM session and this again shows their talents. Im not normally a fan of acoustic but this song is fantastic. Lyrics are simple but easily identified and that makes it very easy to sing along and makes the song very catchy.
The Fatigue have produced 5 top tracks and are on their way to having a very good album. I recommend them highly, If you like Arctic Monkeys and the likes then you will like these deffinately. All in all a very good collection of songs.
http://www.myspace.com/thefatigue
written by Chris Davies
The Fatigue have been a great find. Unfortunately they have not got an album so this will not be a proper review. Ill start by introducing you to the band..
As far as I know they consist of four members Steve, Lee, Chris and Jack. They are from various places Brighton and the South East, But I think they currently call Brighton there Home.
This is how they describe themselves We are a four piece, Brighton based, indie-rock outfit influenced by a wide range of artists including Incubus, The Libertines and Jimi Hendrix.
Right down to Business..
Another Night at Ed's - I hope this does not offend them but this track sounds in the ilk of Arctic Monkeys. But i would argue that there is more than just a few chords in the guitar work. I find alot of Indie bands have great muscian's but are let down by poor vocals. Thankfully The Fatigue have both good muscians and Vocals. Its a strong song and of much quality that some of these more established produce.
All eyes on the prize - A bit more of ballad I would say and the theme of good muscians and vocals continue thankfully. Again I would say that this song would not be out of place on the radio at all and again could be a hit. A nice song which performs on every level, The lyrics are very good and meaningful and Im sure alot of people can relate to the song, The line 'there is no song that I could sing, a poem a bunch of flowers to prove your worth to me' Im sure many lads would pull that line out when they are wanting to go and watch the footy. All in all a very strong song lyrically very good.
Trouble At Mill - More upbeat gets your head nodding around and feet tapping. Strong guitars with good riffs that give the song its base. Im glad to say that the vocals still hold up to my high standards and this is a type of song that gets stuck in your head and singing along especially the chorus of ' I call her Trouble Trouble' Another good song not my favourite but still good.
The Grass isn't Always Greener - I like the start to this song but unfortunately it cuts off after about 1minute 30.I think the song address's the problem of money grabbing girls and how the better man loses out to the richer man and how you need to address that issue as 'the better man'. This song was for Juice FM and shows that they are truley gifted muscians and the lead singer has a really voice that suits the style of music and Im confidient if given the chance this will get alot of air play. The Fatigue are a great find.
What Mumma Says - Another recording from Juice FM session and this again shows their talents. Im not normally a fan of acoustic but this song is fantastic. Lyrics are simple but easily identified and that makes it very easy to sing along and makes the song very catchy.
The Fatigue have produced 5 top tracks and are on their way to having a very good album. I recommend them highly, If you like Arctic Monkeys and the likes then you will like these deffinately. All in all a very good collection of songs.
http://www.myspace.com/thefatigue
written by Chris Davies
Thursday, 4 June 2009
Queen: Night at the opera - written by Aled Jones
This is an album review taken from www.newbeats4u.com
without doubt this is one of the greatest albums ever. it has everything a music fan could want, rock,pop,soul,jazz all wrapped up in an operatic blanket.
prior to the release of the album, queen were a mostly unnoticed band who were conveying to the mainstream sound of soft rock. it took something different and something more in the queen mould to make them an established band and night at the opera was that thing. with catchy jingle like songs like 'lazing on a sunday afternoon' to the harder hitting 'death on two legs', i feel that this album has the quality and staying power to change the mind of any queen critic
Written by Aled Jones
without doubt this is one of the greatest albums ever. it has everything a music fan could want, rock,pop,soul,jazz all wrapped up in an operatic blanket.
prior to the release of the album, queen were a mostly unnoticed band who were conveying to the mainstream sound of soft rock. it took something different and something more in the queen mould to make them an established band and night at the opera was that thing. with catchy jingle like songs like 'lazing on a sunday afternoon' to the harder hitting 'death on two legs', i feel that this album has the quality and staying power to change the mind of any queen critic
Written by Aled Jones
Wednesday, 3 June 2009
Invaders Must Die Review written by Shaun Jones
This is an album review taken from www.newbeats4u.com.
Invaders Must Die Track list:
'Invaders Must Die'
'Omen'
'Thunder'
'Colours'
'Take Me To The Hospital'
'Warrior's Dance'
'Run With The Wolves'
'Omen Reprise'
'World's On Fire'
'Piranha'
'Stand Up'
So opening the album we have invaders must die which to be fair is a good album opener. Straight away you can hear references to earlier Prodigy material. Next on the list is Omen, which is the single of the album. Omen is a very good song and is a great song to drive around to. All of the tracks on the album are excellent and in my opinion there is not a bad track on the album. My favourite song is Thunder, no idea why just love the song. I know its only a short review but its started this forum off so there we have it, Personally i would consider Invaders Must Die one of my favourite albums of all time, and I'm not into this music usually.
Written by Shaun Jones for newbeats4u.com
Invaders Must Die Track list:
'Invaders Must Die'
'Omen'
'Thunder'
'Colours'
'Take Me To The Hospital'
'Warrior's Dance'
'Run With The Wolves'
'Omen Reprise'
'World's On Fire'
'Piranha'
'Stand Up'
So opening the album we have invaders must die which to be fair is a good album opener. Straight away you can hear references to earlier Prodigy material. Next on the list is Omen, which is the single of the album. Omen is a very good song and is a great song to drive around to. All of the tracks on the album are excellent and in my opinion there is not a bad track on the album. My favourite song is Thunder, no idea why just love the song. I know its only a short review but its started this forum off so there we have it, Personally i would consider Invaders Must Die one of my favourite albums of all time, and I'm not into this music usually.
Written by Shaun Jones for newbeats4u.com
Tyratarantis 23/04/09 written by Eleanor Churchill
The following is an article taken from www.newbeats4u.com
David Rees: Bass, Dominic Marshall: Piano, Sam Gardener: Drums
Innovative, progressive, improvised music can only but define LCM student Dave Rees’s technique and approach as a jazz bass player and composer. Incorporating unusual yet effective experimental sounds, resembling a beautiful love affair between Progressive Jazz and Dub-Step, Rees explores his distinctive musical palette, demonstrating a rather unique vision of artistic creativity.
After the success of their debut at the launch of ‘The Northern Bloc Collective’, Tyratarantis perform at Leeds College Of Music’s lunchtime concert with an array of traditional and contemporary styles.
Reese’s wa-wa pedal provided an authentic groovy texture to ‘4am Naked Dub-step tea-party‘, sitting comfortably alongside Gardeners powerful yet steady rhythmic beats whilst Reese’s impact to each piece amplified the dynamic flavour provided primarily by pianist Dominic Marshall.
Exploring rigorous, melodic motifs, Marshall created an eclectic mix of gothic elements entwined with sophisticated elegance, challenging offbeat rhythms between sections, before finally dying down to an impressive, contrasting accompaniment.
Gardener’s atmospheric significance remained sustained throughout 5/4 feel ’Balud’, with a less abrasive sound using brush sticks, greatly contemplating the varied use of dynamics worked at a constantly steady tempo. Marshall, provided with plenty of
harmonic freedom to work his magic, brought the piece to a reflective and uplifting finish with high emotional impact.
Despite the significant amount of popular music students attending the trio’s performance, notably with opposing musical tastes, one inspired student referred to Marshall in particular as ’Amazing, simply amazing’.
For news on upcoming gigs and news from Tyratarantis, log-on to http://www.myspace.com/tyratarantis
Written by Eleanor Churchill 23/04/09
David Rees: Bass, Dominic Marshall: Piano, Sam Gardener: Drums
Innovative, progressive, improvised music can only but define LCM student Dave Rees’s technique and approach as a jazz bass player and composer. Incorporating unusual yet effective experimental sounds, resembling a beautiful love affair between Progressive Jazz and Dub-Step, Rees explores his distinctive musical palette, demonstrating a rather unique vision of artistic creativity.
After the success of their debut at the launch of ‘The Northern Bloc Collective’, Tyratarantis perform at Leeds College Of Music’s lunchtime concert with an array of traditional and contemporary styles.
Reese’s wa-wa pedal provided an authentic groovy texture to ‘4am Naked Dub-step tea-party‘, sitting comfortably alongside Gardeners powerful yet steady rhythmic beats whilst Reese’s impact to each piece amplified the dynamic flavour provided primarily by pianist Dominic Marshall.
Exploring rigorous, melodic motifs, Marshall created an eclectic mix of gothic elements entwined with sophisticated elegance, challenging offbeat rhythms between sections, before finally dying down to an impressive, contrasting accompaniment.
Gardener’s atmospheric significance remained sustained throughout 5/4 feel ’Balud’, with a less abrasive sound using brush sticks, greatly contemplating the varied use of dynamics worked at a constantly steady tempo. Marshall, provided with plenty of
harmonic freedom to work his magic, brought the piece to a reflective and uplifting finish with high emotional impact.
Despite the significant amount of popular music students attending the trio’s performance, notably with opposing musical tastes, one inspired student referred to Marshall in particular as ’Amazing, simply amazing’.
For news on upcoming gigs and news from Tyratarantis, log-on to http://www.myspace.com/tyratarantis
Written by Eleanor Churchill 23/04/09
Eminem - Relapse written by Jonathan Walton
The following is an article taken from www.newbeats4u.com
Quite simply, nothing will ever beat the 'Slim Shady' and 'Marshall Mathers LP' albums.
I'm really lost for words and struggling to portray my mixed feelings about Eminem's music now, it's quite sad to see this happen.
I think essentially what I'm trying to say in basic terms is I'm into old skool; NWA, RUN DMC, Big Daddy Kane etc.
Fresh lyrics that were clever, insightful and reached out to people. Eminem used to have this, it was a mix of comedy tracks/deeper tracks all with incredibly intelligent evocative lyrics.
Take the movie 8 mile for example, even those who aren't into rap can watch the freestyle scenes and still be knocked back.
Now though i feel his name is selling albums, it's just white noise to me. Each song compiled of juvenile subject matter, a beat and some whiny vocals over and over (there's my review right there). Eminem enjoys mocking people, Marilyn Manson being a key example - but he has become the same. The shock factor has worn off and it's not going to carry him. The awesome lyrics that were the spine of the albums seem to have suffered Osteoporosis since the Marshall Mathers LP.
If he carries on in this way he ain't gona sell two copies if he press a double album
It's really only the fanboys and those that desperately wish they were from Compton and/or black that are keeping this scene alive - or on life support in my opinion. In the words of Nas - Hip Hop is dead.
Let's all take a moment to remember how good he used to be and listen to Just Don't Give a F*** from the Slim Shady LP. Awesome track.
written by Jonathan Walton
Quite simply, nothing will ever beat the 'Slim Shady' and 'Marshall Mathers LP' albums.
I'm really lost for words and struggling to portray my mixed feelings about Eminem's music now, it's quite sad to see this happen.
I think essentially what I'm trying to say in basic terms is I'm into old skool; NWA, RUN DMC, Big Daddy Kane etc.
Fresh lyrics that were clever, insightful and reached out to people. Eminem used to have this, it was a mix of comedy tracks/deeper tracks all with incredibly intelligent evocative lyrics.
Take the movie 8 mile for example, even those who aren't into rap can watch the freestyle scenes and still be knocked back.
Now though i feel his name is selling albums, it's just white noise to me. Each song compiled of juvenile subject matter, a beat and some whiny vocals over and over (there's my review right there). Eminem enjoys mocking people, Marilyn Manson being a key example - but he has become the same. The shock factor has worn off and it's not going to carry him. The awesome lyrics that were the spine of the albums seem to have suffered Osteoporosis since the Marshall Mathers LP.
If he carries on in this way he ain't gona sell two copies if he press a double album
It's really only the fanboys and those that desperately wish they were from Compton and/or black that are keeping this scene alive - or on life support in my opinion. In the words of Nas - Hip Hop is dead.
Let's all take a moment to remember how good he used to be and listen to Just Don't Give a F*** from the Slim Shady LP. Awesome track.
written by Jonathan Walton
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